"I, like most people, enjoy a jolly good fucking".
In my head it was good — amusing, inclusive, cheeky, with the shock element of crude bluntness; the elements were all there for it to be a strong opener, that attention-grabbing first line with which to hook any surfer just browsing through and not that minded to stop.
And then, even as I chuckled at my own cleverness while I typed, a thought struck me.
What if my mum read it?
*Squeal followed by nasty thump on bonnet*
A response bizarre on so many levels that even if I set them out with bullet points and interesting graphics AND got Peter Snow to walk us through them, none of us would be any the wiser.
So, instead I'll open with this:
There are few pleasures in life that match the slow hiss of air escaping between your upper teeth and lower lip as you formulate the work "fuck". It's anticipatory. It is the vanguard of a sweary satisfaction that is only moments away from attainment.
The Irish and Glaswegians realise this. They embrace swearing, sprinkling their conversations with 'fecks' and 'fucks' like hundreds-and-thousands, adding colour and texture to what would otherwise be a plain bun.
They use the word with such dedicated frequency that all meaning has been lost and thereby any offence. And this is where my relationship with swearing lies. I approve of swearing when it's empty of booze and violence.
Writing sitcoms inevitably means you view everybody else's sitcom without laughing, even if it's funny. Scratch that. Especially if it's funny. You sit there, arms crossed, a faintly disbelieving sneer flickering across your lips. You prod for weak points, palpate for over-worked jokes, and then fall on it like the shadow of a lion over a weakened impala foal.
And the really crap sitcoms are the ones which are padded out with 'comedy' swearing.
News Flash
If your script is relying on swearing for its edgy bad-assiness, then it's shit of the first order. Show some freakin' discernment. A well-placed fuck is worth ten in the bush.
Moving on, then...
I've noticed I'm not an angry swearer. I only seem to swear when considering matters of existential angst — when I'm feeling frustrated, bemused, or exasperated. A succinct "For fuck's sake" acts as a channel for my helpless dismay in the face of what is, inarguably, a stupid universe.
And even then there's a furtive element to my blaspheming. Strictly behind closed doors. With people I love and trust. Who won't judge me. Fellow fucksters, because of course we're like alcoholics, us swearers. Oh yes. We don't like to swear alone. Swearing is a group thing, a builder of bonhomie and team spirit. Swear together and stay together.
But then there's the ugly side of swearing, the side that detracts rather than enhances, the side that makes you look just a little bit common.
It was the acknowledgement of this dark side to swearing — Dr Jekyll's Mr Hyde, Eric Little's Eddie Large — that was responsible for my stand on, excuse me, fucking in public.
Picture this. The scene — a car park in Berwick with a narrow exit wide enough for only one vehicle. The situation — a car with L-plates blocking this exit with me stuck behind. Initially I was patience personified. Poor sad little learner, I thought, she'll be feeling the embarrassment of her shaky clutch control for years to come, along with her feeble grasp of stopping distances.
I waited and I waited. Minutes ticked by. Then I considered the possibility that Poor Sad Little Learner didn't realise I was behind her. O-ho, inadequate use of mirrors, I thought. So mindful of the proscriptive rules in 'The Highway Code' on horn deployment, I proffered a friendly 'toot'. Just to make other road users aware of my presence, you understand.
Now. There's always a mate, isn't there?
So if you find yourself in a position where you personally can't be arsed to get upset about something, you can hand the responsibility over to somebody who can. Violence by proxy.
To cut a very ugly story short, this throwback stuck her head through my car window and started yowling in my face, a bit like Charlie the Cat in the public information ads of my childhood, only this time warning about the perils of Elizabeth Duke jewellery.
She was so enraged I had no chance of reasoning with her. On and on she went. A crowd grew. Tension built. I had to seize control. Defuse the situation. I racked my brain for something clever, something erudite to say that would stop this scene becoming a resconstruction on Crimewatch.
"Oh, fuck off, you wearying fat slag."
Tah-dah!
Having delivered this stingingly elegant coup de grace, I threw the car forward, squeezing past Poor Sad Little Learner who had managed to park, and flipped a cheery 'V' as I sped off. Clearly it wasn't my superior education and negotiating skills that won the day, it was the fact that I was sitting in a car with the engine still running.
And did I spend the morning in town on a victorious high re-telling this story of accomplishment and heroism equal in scale to that of the Spartans at Thermopylae?
No.
Three things spoiled it for me.
- The knowledge that I had sunk to Wearying Fat Slag's level so quickly and over something so frighteningly trivial. I'd allowed her to make me lose control to the point where I had no other vocabulary left to offer.
- To the ears of the bystanders, I sounded no different from Wearying Fat Slag to whom I felt myself so superior. I was no different.
- The fact that now I was marked woman and could get stabbed between the eyes with a scuffed stiletto when I least expected it.















